Category Archives: Comics

The Peanuts Scavenger Hunt

Neil and I abandoned the ComicBase booth on opening night to the care of the other staffers and went out on a Quest for Swag. We were so mobbed in by people, however, that we’d all but abandoned that mission when we spotted a sign next to the Fantagraphics booth mentioning that they were a stop on the Peanuts Scavenger Hunt.

“What’s that?” we asked a staffer, pointing at the sign. He informed us that if you went to the Peanuts booth (really the Charles Schulz Museum booth) and got a scavenger hunt card, you could take it around to different places on the show floor to get it signed. If you filled out all the spaces, you might get a prize (a Snoopy tote bag).

There were only 50 bags being given away per day, however, and about 30,000 people in the hall, so I didn’t reckon our chances were that good. Still, after a short trip to the Peanuts booth to pick up a card (and give ’noopy!” a big hug) we were off to the races.

The first three booths were a piece of cake, situated in the quieter end of the hall. But the fourth stop was some 40 rows down at the far end of the exhibition center (and right in the worst of the action). Neil and I had caught up to Kelly and Carolyn by that point, and I put Kelly on my shoulders for the long trip down to the Funko booth. Twenty minutes later, we finally arrived, but had to wait for the signature person to get free since the booth was mobbed with people, well, actually buying things. By the time we left, I was certain the whole thing was just for a laugh, since there were only 50 prizes, and I’d seen dozens of people in line at the Peanuts booth right when we started.

Still, Neil and Kelly were excited by the whole event, and we mushed our way back to the Dark Horse booth to collect our final signature from the always-delightful Dark Horse staff. At last, we were ready to head for the Peanuts booth, when we came straught across Snoopy himself being led by a handler (bathroom break?) and followed in his wake all the way back to the booth.

Once there, however, I found myself giving another “Don’t be too disappointed if you don’t get anything” talk to Neil, explaining that there were at least 30 people in front of us in line, and they only had 50 bags to start with. Neil wanted to wait anyway, and his patience was rewarded when a staffer appeared out of nowhere and said, ”Oh! You’ve got your card all filled out? You don’t need to wait in the checkout line for that–just go straight to the front and show them your card. We’ve still got 18 bags left!”

In the end, both Neil and Kelly met ’noopy!, got a cool tote bag with “Snoopy for President” on it, and had a wonderful first day at the Comic-Con–thanks in no small part to the wonderful folks at the Peanuts booth.

Comic-Con!

OMG, it’s Comic-Con!

After months of preparation, several sleepless or near-sleepless nights, and a ten hour drive, we made it to San Diego to once again take part in that mightiest of comic events on Planet Earth.

We’d barely managed to get set up when the doors were flung open and what seemed like a mile-long line of comic fans burst into the San Diego convention center whooping it up in their search for goodies and comic-con exclusives. Within minutes the convention hall was a sea of people and the left half of it could only be moved through with a fair amount of determination. Pictures (and maybe even video) to follow, but it was unreal. And that was preview night!

Batman: The Dark Knight

If you had trouble reaching us this afternoon, it’s because the company was all out seeing Batman: The Dark Knight. (Yes, there are some advantages to working at a comic book software company).

My take: 4 stars out of five, and easily one of the best comic book films I’ve seen in years. Of the Batman films, I liked it second best to the very first Tim Burton one. (Who can forget seeing Burton’s Gortham City for the first time?).

Acting-wise, Ledger stole the film—his Joker was great. I won’t do any spoilers here, but he’s just so well-written and played that you can’t wait to see what he’ll do next. He absolutely nailed the Dark Knight-era version of the character. The rest of the cast was solid, but they just didn’t have the same on-screen fascination for me.

So why not five stars? For me, it comes down to editing. Unless you’re prepared for it ahead of time, the sheer length of the film can get a bit tiring. Had they found a way to shave 30-40 minutes off (particularly by trimming the second act), it would have been a stronger film. As such, it takes on a bit of a Godfather tone—both in scope and, unfortunately, in running time.

A Brief American Comic Fan’s Guide to Weird Stuff in Germany

I personally hate travelogues, so I’ll stick to the weird or funny stuff. Standard disclaimers apply about all this being just one guy’s experience, which may or not apply to other people, or in fact, the rest of Germany.

Germans Conserve Like Crazy. Their gas is something like $10/gallon at the current exchange rate, so it’s no surprise that they drive small cars and take the train a lot. They’re also really serious about recycling bottles, adding on a deposit (Pfand) of what amounts to 40 cents per bottle to something as small as the Diet Coke (a.k.a Cola Light) you buy at the train station. They’re also hugely proud of new (and very impressive) skyscraper projects they’ve got which boast solar power, 98% recycling, and more.

Cold drinks cost a ton. Go to a supermarket and you can pick up liters and liters of beverages for a couple of euros. Buy a beer at a liquor store and it can cost as little as 80 Euro-cents/bottle. But want that Coke or beer cold? Prepare for a hurting like you’ve rarely seen outside of a comic convention. Think: $3.50 for a typical bottle of Coke. Oh, and there’s that 40 cent deposit thing as well. Since the beverages themselves are cheap, I can only conclude that the expensive thing is the coldness itself. Maybe it goes on sale in winter…

Beer costs the same as Coke. The news is not all bad on the beverage front.

They don’t “bag and board”. Maybe it’s the variety of comic sizes they deal with in the German market. Maybe bags and boards also have a 40 cent deposit on them. But for whatever reason, it seems like almost every comic on display at the comic convention came either not bagged at all, or bagged in a makeshift, 20-year old open-top bag. Boarding was near-nonexistent. It really was like going back in time to the 1970s when kids like me who’d never seen a comic shop would use any bag we could find to try to preserve our comics. Still, despite some price tags that ranged over a hundred dollars for some comics, few seemed to think that bagging and boarding was important–and it certainly wasn’t standard. Anyone know why?

The Atomic Avenue Comic Book Trivia Challenge

With the system coming up on its first anniversary in a couple of months, we decided to have some fun. This week, we kicked off the Atomic Avenue Comic Book Trivia Challenge, designed to test your knowledge of the fabulous four-color fantasy world of comics.

From January 15th through the 31st, we’re posting a new question (actually a question and a bonus question) each day to the Atomic Avenue web site. Answer them correctly, and you’re entered to win great daily prizes including Marvel Masterworks volumes, DC Archives, Marvel Essentials, and more. Best yet, your total score adds up to give you a chance to win three amazing prizes which are among the few things you can’t find on Atomic Avenue—or anywhere else, for that matter:

– A copy of Batman: The Dark Knight signed by Frank Miller himself

– Frank Miller’s copy of Daredevil #179 (Elektra vs. Bullseye) from his personal collection

– and Frank Miller’s very own copy of Daredevil #181—the death of Elektra

(As a karmic bonus, Atomic Avenue arranged to buy the prizes from the Comic Book Legal Defense Fund in order to help them raise funds for their efforts. Check out http://www.cbldf.org for more information on this terrific organization)

If you think you know your stuff, head on over to Atomic Avenue and give it a shot!

ComicBase 11 Art Featured in Spectrum!

Spectrum 14 coverSpectrum is a yearly anthology featuring the most notable fantasy and science-fiction illustrations of the previous year. Congratulations go out to longtime ComicBase cover artist Glen Orbik for once again scoring a featured position in this year’s Spectrum for the terrific space-themed cover he did for us on ComicBase 11. Great work, Glen!

Great Gifts for Comic Fans (Besides ComicBase!)

I went to the mall this past weekend and let me tell you, it was a real horror show: the harried faces of the cashiers… the desperate visages of people who were starting to think they’d just made a terribly mistaken purchase…

…and that was just the folks lined up to see the Celine Dion movie.

Look, I’m just going to assume that you’ve already upgraded your friends to the best comic book collecting software on the planet. (Otherwise, you’d be over at www.comicbase.com ordering it now so that it can be under the tree for Christmas, right?)

But what if you want to do even more for the comic-lover in your life? Here’s my list of sure-fire gift suggestions, broken down by price range:


$25 and under

Comic Display Frames

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($19.95: less in quantity. Bill Cole Enterprises)

Turn comics into wall art with these archival-quality frames. Mounting takes just a couple of minutes, and the book will be protected behind UV-inhibiting Plexiglas with acid-free mattes. It’s a great way to decorate your comic room, or just get some of your most prized books out from those dusty long boxes (without locking them away forever in comic-slab purgatory!)

Marvel Essential…’s or DC Showcase Presents… Compilations

($14.95 –$16.95)

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Pound-for-pound, these huge, black-and-white compilations are some of the best comic-reading values ever. For the price of four or five modern comics, you can read dozens of the most important (and expensive!) issues of yesteryear from your favorite characters.

The Marvel “Essential…” series features everyone from The Avengers to the X-Men, as well as lesser-knowns like Godzilla or disco-era mutant diva Dazzler. There’s something here for everyone, and it’s really hard to go wrong with them.

292155.jpgDC’s Showcase Presents… series of black and white anthologies also pack in the value, typically presenting two dozen or more stories featuring a given character from DC’s Silver Age in each volume. The stories are typically not from the legendary series Showcase, but from various other anthology titles such as The Brave and the Bold, World’s Finest, and so on. It’s a great blast of nostalgia an earlier era, and one which would impossible to duplicate without spending hundreds of times as much on the original comics. You can also choose from numerous volumes featuring everyone from space hero Adam Strange to The Unknown Soldier.


$55 and under

74045.jpgMarvel Masterworks, DC Archive Editions, or E.C. Archives

($49.95 – $54.95)

Whereas the previous anthologies go for quantity, the emphasis on these beautiful Archive editions is on quality. These are uniformly gorgeous hardcover volumes meant to be the definitive reference copies of the issues they cover, complete with restored art and introductions by the creators and comic historians.

The price on these books has been creeping up a bit in recent years (thus the fudging on the category breakdown), but on the bright side, they’re typically reprinting comics which would cost tens of thousands of dollars or more each. The Marvel Masterworks: Golden Age Captain America pictured at left, for instance, reprints the seldom-seen Captain America Comics #1–4 in their entirety: something that would cost over $135,000 if you were determined that you had to read them in the original. These editions are guaranteed to impress—without requiring a new mortgage on the house.

DrawerBoxes™

(5-pack for $48.95, The Collection Drawer Company)

singlebox.jpg They’re super-strong comic boxes which pull open like a file drawer, allowing you to avoid shuffling 40-pound comic boxes every time you want to get to a box that’s underneath another one. You can get a five-pack for $48.95 straight from the company (or from various comic stores around the country—see their store locator), but I won’t kid you: once you start using these, you’re going to want to replace virtually every comic box you own with them. They make that much of a difference.

The minute I saw creator Rich Vincent demonstrate these by setting one on the floor, standing on it, then having someone pull out the drawer without causing the box to collapse, I knew we were going to be dropping some serious cash his way. The reality is, we simply couldn’t file the hundreds of comics that come our way each week without them—and even folks with more sensible collections will have their backs thank them which you’re relieved of the constant stacking and restacking which has been part of comic collecting for far too long.


$100 and under

Absolute Watchmen, Absolute Sandman

($75–$99)

295359.jpgWatchmen is widely hailed as “the Citizen Kane of Comics” with good reason. More than any other, it’s the series that established writer Alan Moore as a comics legend, and you could teach a film school course with the fine level of visual storytelling on display here. The Absolute Watchmen edition is an oversized, hardcover, slip-cased edition collecting the 12-issue series, complete with restored art, notes, and more.

The Absolute Sandman is a similar effort to collect the series which cemented writer Neil Gaiman’s position in the comics pantheon. Loved equally by male and female readers, Sandman is widely regarded as one of the greatest comic series of the past century, garnered inordinate numbers of awards and praise, and was the only comic to ever win a World Fantasy Award. As a bonus, the Absolute Edition has, in its autographed form, a 100% record so far as a way to get your beloved to say “Yes” to your marriage proposal.


Priceless

Original Art

($5–125… possibly more… possibly much more)

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OK, if you’re looking for the splash page to Amazing Fantasy #15, you need to talk to Sotheby’s, not be reading somebody’s blog for advice. On the other hand, one of the best-kept secrets of the art world is how really affordable original comic pages can be. Art for most contemporary comics can often be bought directly from the artist at a comic show—sometimes for as little as $5 per page. Splash pages usually start at around $100 or more, and covers run from a few hundred dollars to…well, a lot, depending on the artist and title.

Want to make a big impact on a budget? Pick up a page of art from one of your loved one’s favorite comics, then have it framed next to the final, colored version of the same page. (But get a spare copy of the comic for this, please—this otherwise brilliant plan could go horribly wrong if you razor apart one of their favorite books in order to frame the page). Art shops like Michael’s or Aaron Brothers can compose custom mattes for such a project, or just buy pre-made original artwork frames for $25 or so.

A Trip to Comic-Con International at San Diego

($30–$1,800 depending on the need for hotels and airfare)

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Like Porsche: There is no alternative. The San Diego Comic-Con (officially “Comic-Con International: San Diego”) is the most insane, crazy-huge gathering of comics and pop-culture in North America—many would say, the world. Last year, over 125,000 fans, dealers, industry-luminaries, and showbiz-types filled the San Diego Convention Center to capacity in a four-day spectacular of everything comic-related. These days, you’re as likely to bump into Jessica Alba or Joss Whedon as a famous Golden Age artist, since Hollywood has started viewing Comic-Con as a great way to tap into fandom for both new ideas and as testing ground for new projects. You’ll also run into the full cross-section of fandom including Star Wars, manga, indie-publishing, small press, gaming, anime, and much more. If you like pop-culture, it’s like taking a long drink from a firehose.

If you live in the area, the main caveat is that tickets do sell out, so order online early. If you’re coming in from afar, the biggest problem is hotel rooms. The convention-arranged hotels are affordable, but sell out of even the huge stock available in a matter of hours. By convention day, expect hotels to be sold out in a 30 mile radius of the convention center. So book early, enjoy the show, and expect to leave exhausted. (And stop by our booth while you’re there! We’re usually the ones with the huge rocket ship overhead).

If you love comics, you owe it to yourself to go to San Diego at least once: there really is nothing else quite like it.

Merry Christmas!

Neil Gaiman: Romantic Conspirator

This is cool (from Boing Boing):

http://www.boingboing.net/2007/12/12/neil-gaiman-helps-fa.html

2000 A.D. Comic Boxes, Anyone?

I’ve been a fan and collector of the British 2000 A.D. magazine since Eagle comics started running Judge Dredd reprints from it in the early 1980s. For Americans, this series is a real oddity: a weekly anthology that’s been running continuously since the late 1970s, and has to date racked up something like 1500 issues and counting. It’s been the launching ground of everything from Judge Dredd (and the whole Dredd universe) to Strontium Dog, Zenith, The A.B.C. Warriors, Rogue Trooper, and countless others. Issues of the series are still cheap on the back issue market, particularly over in Great Britain, and I managed to score large runs of it several times over the years from stateside collectors.

Unfortunately, storing large numbers of these comics is a real pain due to their incredibly odd (by American standards) paper size. The series has changed dimensions over the years, and the earlier ones are both wider and taller than U.S. magazine sizes (although far shorter than Treasury size). So far as I can tell, there’s no stock storage box of suitable dimensions available from any U.S. box maker, and only one manufacturer of 2000 A.D. boxes (Collectorline, over in Britain). Unfortunately, shipping big hunks of oversized cardboard from Great Britain to California is costly in the extreme—we’d likely have to fork out $20–30/box in shipping charges alone (and we need about 30 of them!)

Does anyone out there know of a U.S. supplier for 2000 A.D. boxes? (such a box would also fit comics like Deadline, Toxic! and Eagle).

If not, there’s always the alternative of designing a custom box ourselves. This would involve having our box maker create a custom die: a startup expense that runs several hundred dollars at least—although we could conceivably make it less of a hit if other folks were also in need of such boxes.

Any ideas or suggestions? If not, does anyone else have interest in 2000 A.D. boxes if we were forced to enter the box manufacturing business ourselves?